vocal music
Scores published and available for purchase from G.Schirmer/Wise Music, Belle Symphonie, 13oder14 and the Australian Music Centre
Luke's vocal music ranges across choral works and a mixture of works for voices and different instrumental combinations. These include individual songs, multi movement large-scale works and song cycles.
Jephtha’s Daughter - (2024)
A 20min oratorio commissioned by La Nuova Musica. This marks the continuation of two collaborations ,with librettist Jessica Walker who has written a new text and with conductor David Bates on a contemporary neo-baroque style incorporating period performance practices with my original compositional voice.
Jephthah’s Daughter
In Carissimi’s Jephte, and the biblical passages on which it is based, Jephthah vows to sacrifice ‘whatever comes out of the door of my house’, if only he can lead his army to glory. When the first person to greet him after his victorious campaign happens to be his only child, a daughter, her fate is sealed. In a beautiful final lament, she accepts she must die. In this contemporary companion piece, Jephthah’s Daughter, the young, unnamed woman challenges her father’s foolish vow, blaming him and the narrators of Carissimi’s oratorio for allowing her unnecessary sacrifice.
Instrumentation: Soloists - Tenor, Soprano, Alto. Chorus - SSATB. Recorders – 2 players, Percussion (1 player), Violin I, Violin II, Viola I, Viola II. Continuo - Harpsichord, Harp, Theorbo, Dulcian, Cello, Double Bass
The works has been written for a premiere with strings 1.1.1.1 The composer can also imagine a performance with a larger number of string players. The continuo section given above has used for the premiere, but a smaller/larger continuo section can be used.
Available to HIRE/BUY soon!
Custodians of the Sky - (2023)
A new 50 minute work to inhabit the heavens and the earth, exploring our imagining of the universe through music and poetry.
The work focuses on astronomy from a uniquely Australian perspective: the constellations as Australians can see them, incorporating recordings from Australian stargazing sites. The work links the listeners through our shared connection to space and celestial bodies and references different cultural interpretations of space and the stars.
The work has been commissioned by Le Balcon, France’s celebrated contemporary ensemble, and Australian singers Michael Smallwood (tenor) and Damien Pass (baritone). Custodians of the Sky premiered at the Musée du Quai Branly, Paris, 15th and 16th April 2023, in a version for tenor, baritone, chamber orchestra and electronics (comprised of field recordings from Australia stargazing sites).
The text in Custodians of the Sky comes from living Australian writers. At the start and throughout the work are the writings of indigenous astronomer Bill Yidumduma Harney and Hugh Cairns from their book Dark Sparklers. Five poems emerge as songs in the following order; Stars by David Malouf, Skywatchers by Margaret Bradstock, Perspective Passes over Us by Renee Pettitt-Schipp, Moon by A. Frances Johnson, The Moon via telescope by Margaret Bradstock.
With gratitude to Bill Yidumduma Harney for his generous guidance, encouragement and support, and to the Wardaman peoples, for holding and sharing celestial knowledge of the skies that are referenced herein.
Instrumentation: Tenor, Bass-Baritone, Chamber orchestra (Cl, Ob, Bsn, Trp, Hn, Trom, Perc x 2, Va x 2, Vcl x 2, Db x 2), Electronics, Video (optional). Duration: 50min
Available to HIRE/BUY soon!
Voices of Power - (2022)
A 45 minute oratorio for the Three Choirs Festival, Philharmonia Orchestra, soloist Hilary Summers and choir. A new text has been written by Jessica Walker and the work charts aspects of power through the embodiment of powerful women, from Boudica to Jacida Ardern.
Commissioned by the Philharmonia Orchestra and the Three Choirs Festival.
Instrumentation: Chamber orchestra (Fl, Cl, Bsn, Hn, Trp, Trom, Perc, Strings min 2.2.2.2.1.), SATB choir, Contralto soloist. Duration: 45mins
The People’s Cabaret - (2021-2023)
Luke Styles & Jessica Walker (UK)
In 2023 we find ourselves living through times of unprecedented social, cultural and economic change. Well…almost unprecedented. Track back 90 years, and there are striking parallels to be drawn with Europe and America in the 1930s, when Populism was on the rise, and much of the world found itself in the midst of a Great Depression.
Singer/writer Jessica Walker and composer Luke Styles hold a mirror up to the disturbing times we live into create a cutting-edge protest work for our age, with a brand-new cycle of songs about discrimination, social inequality, freedom of expression, and the rise of fake news.
Instrumentation: Piano and Voice version. Ensemble version; voice, cello, keyboard/synth, percussion, clarinet.
Starfish - (2020)
Starfish, to a poem of the same name by Margaret Bradstock, is a playful work. The poem struck me immediately as something I saw myself in as a young boy and reflected further in my young son. At the time of composing I was living by the beach and regularly went to the rock pools with my son to explore. The work feels close to these experiences and part of my identity and my son's, growing up by the sea, at least for a while.
Instrumentation: Mezzo-soprano, Cello. Duration: 4 min.
No Friend But The Mountains: A Symphonic Song Cycle - (2020)
A symphonic song cycle using text from the award winning book of the same name by Behrouz Boochani.
Instrumentation: Bass-Baritone soloist, Chorus, Symphony Orchestra. Duration: 60 min. Available to hire from Wise Music, score via NKODA and Australian Music Centre
“Thumbed on a phone. Smuggled out. Thousands of text messages. The near impossibility of its existence. On Nauru and Manus Island, they live in a zoo of cruelty.”
Composing this work has been a huge milestone for my work, seeing me create my largest and longest piece outside of opera. I have had the chance to explore new sound worlds by using a large orchestra and singers, and have aimed to craft a journey for the listener which will be moving, confronting and life affirming.
No Friend But The Mountains: A Symphonyc Song Cycle has been turned into a 2-part documentary for ABC TV.
On Bunyah 2018
This new song cycle for tenor Mark Padmore (and the Britten Sinfonia in a chamber formation of string quartet and piano) set’s a series of 10 poems by Australian poet Les Murray, from his most recent collection, On Bunyah.
The cycle charts a loose narrative and progression of themes, where the tenor can be identified as a 'poet farmer' character. This central figure gives voice to many aspects of Australia (the bush, land, kangaroos, fire, death, machinery and the 20/21st Century) without sentimentality. The distinctive Australian flavor of this collection of poems embraces the similar experiences and challenges of other rural communities with the ‘poet farmer’ functioning as both a rural and modern day ‘every-man’. BUY the SCORE/PARTS here
Instrumentation: Tenor, Piano, String Quartet. Duration: 30mins
“Styles’s On Bunyah is magnificent and just like the poem is raw, not polite. His writing for tenor, piano and string quartet is terse and dissonant and stirs turbulent feelings in the listener, from idle reminiscence and humour to horror as a “poet farmer” looks back on a lifetime spent in the bush, ultimately to witness its destruction by mechanised land clearing.”
The Australian – Graham Strahle
All Howl At Once (Friday Afternoon Songs) 2017
These Friday Afternoons songs have enabled me to embrace the fun, nonsense, humour, darkness and playfulness of a young person’s fantasy world. One takes the everyday of homework and turns it into a parade of monsters while others investigate and poke fun at annual celebrations of Valentines and Easter.
Young voices have an immediacy to them that we as adults can’t help but be drawn in by. When this is coupled with fantastical story telling through song, young people can make the absurd believable and both the ludicrous and banal exciting.
I have worked closely with the writer Alan McKendrick on this approach and he has created texts which facilitate the flights of fancy of both my own musical imagination and the young people’s. I have consciously reflected on Britten’s set of Friday Afternoons songs and included in my set two rounds and a number of technical procedures that work so well for young singers (and old ones too) in Britten’s set of songs. It has been an immense pleasure to compose this set of songs, to work with fantastic professional artists and a host of enthusiastic and inspiring young people. BUY the SCORE/PARTS
Instrumentation: Young voices (8 to 18 year olds), piano.
Passacaille 2016
In part based on a Passacaille by Handle. Commissioned by Boughton House. Premiere 17th July 2016 at Boughton House England. To buy the score please contact Wise Music.
Instrumentation: Baroque Ensemble; Violin, Oboe, Harpsichord, Counter-Tenor. Duration: 10mins
The Girls Who Wished to Marry the Stars 2013
This theatrical new work (described as a mini dance opera) by Luke Styles features experimental vocal trio Juice and Trish Clowes' jazz/classical ensemble Tangent, performing alongside three live dancers. Blurring the boundaries between dancer and musician, this evocative piece retells a Native Canadian folk tale in a playful, highly dynamic way. BUY the SCORE/PARTS
Commissioned by Juice as part of the New Music Biennial (PRS for Music Foundation). Premiered 13.02.14 LICA (Lancaster). Performed at the Village Underground, London as part of Emulsion III 29th May 2014. Performed at the Queen Elizabeth Hall, London 6th July 2014. Performed at the Commonwealth Games Glasgow, 2nd August 2014.
Instrumentation: Vocal trio (SSA), cello, saxophone, electric guitar, double bass, drum kit. Duration: 12 min.
Vanity 2012
I began reading some of the Shakespeare sonnets, which I had had an interest in specifically since 2008 when a newspaper article (I can be specific if you like) ran a feature on influential arts practitioners in the UK and their favourite sonnets. Upon reading through the sonnets and thinking about the people I would be writing for a natural duality between men and women began to arise. Also the themes of love, beauty and vanity.
Being surrounded by opera intensively, and also having watched the last series of the Apprentice and seeing men championing male grooming, the notion of male vanity jumped off the page at me. I decided it would be a great opportunity to explore the idea of male vanity, through Shakespeare's sonnets, where the men are the vain ones, unable to see their aging bodies and to speak truth about love. Whereas the women sing the voice of reason, of love and beauty and how both it and we age and grow.
This is the world of my Vanity. Conflict between the projected and reality, moments of beauty, doubt and love. BUY the SCORE/PARTS
Instrumentation: Tenor solo, bass solo, SSAA choir, violin. Duration: 20 min.
How They Creep 2011
How They Creep; takes the second stanza from E. A. Poe's A Dream Within A Dream. I have embarked on a piece that has at it's heart the combination of two voices and how they are supported and at times directed by the instruments around them. I have been largely influenced by Benjamin Britten's Canticles whilst writing this piece. BUY the SCORE/PARTS
Instrumentation: Mezzo-soprano, tenor (OR Soprano and Mezzo-Soprano), flute, clarinet, violin, cello. Duration: 4 min.
A Stratagem for Light 2010
Bringing together voices and recorders fusing their similarities and playing on their differences. Taking up the recurrent themes of light and dark in the text by the London poet Jacob Sam-La Rose, the work moves progressively from a state of lightness to increasing darkness. This movement is most tangible in the shifting instrumentation of each of the twelve movements, but its traces can be found throughout the work in a conflict of percussive versus direct sounds or the clarity versus clouding of a harmonic pallet. BUY the SCORE/PARTS
Instrumentation: Recorder quintet, 2 sopranos, alto. Duration: 24 min.
Two Stefan George Poems 2008
A two movement work for SATB choir. BUY the SCORE/PARTS
Instrumentation: SATB choir.
Spring Song Cycle 2008
Seven pieces for soprano, horn, piano and soprano quartet, setting poetry by George, Hölderlin, Uhrland and O'Hara. The Spring and Nature exist as central themes of the work although these are very much hidden in the work and only very occasionally rise to the surface. Lively and slow movements exchange with an optional movement for soprano quartet creating a subtle link to Les Angelus by Debussy. BUY the SCORE/PARTS
Instrumentation: Soprano, French horn, piano (includes optional movement for 4 sopranos). Duration: 20 min.
Three Airs 2007
Three short pieces setting text by Frank O' Hara. Funny, light and dark simultaneously. BUY the SCORE/PARTS
Instrumentation: SSA choir. Duration: 10 min.
Little Boy Lost 2004
Two songs setting text by Edward Blake. For the score please contact Wise Music.
Instrumentation: Soprano (solo)
Shape of Blake 2004
A two movement work setting text by Edward Blake. Work shoped and premiered by the BBC Singers. For the score please contact Wise Music.
Instrumentation: SATB choir.
In the Quarter Master's Store 2004
A short work setting text from George Orwell's Homage to Catalonia. The work can be sung by professional, amateur or young voices. For the score please contact Wise Music.
Intsrumentaion: Voice and Clarinet.